A space to navigate.
A T-junction. The gallery sign is around the corner, hidden by the corridor wall on the approach.
Explore how simulated visitors navigate a design,
interpret it and leave feedback you can trace.
Simulated visitors explore your design.
What they notice stays on the plan.
A T-junction. The gallery sign is around the corner, hidden by the corridor wall on the approach.
The comment stays linked to this junction and the viewpoint that prompted it.
The amber window becomes a landmark: turn right here for the gallery.
A familiar visitor follows the landmark. A group stays together. The visitor waits, then takes the gallery route.
For designers, a route is only part of the answer.
See where visitors pause and what they notice.
Repeated journeys gather at the junction. Movement reveals where to look closer.
A“I only saw the sign at the junction.”
B“At the amber window, I turn right.”
A place to reconsider the sign.
A landmark to keep.
The heat layer samples seven authored walking journeys and five visitors in conversation, using the gallery geometry. Colour shows relative time, including scripted pauses and a twenty-second conversation sample. Comments and navigation choices explain the intended workflow. These are illustrations, not measured findings or recorded product output.
A viewpoint, a comment and the action that followed, connected to the same location. A focused study compares design alternatives and checks what they reveal against observation.
This is an authored visual study, not recorded product footage. Walls, doors, walking routes and the sign use the same floor plan. The sign is geometrically hidden on the approach and visible at the junction. Visitor choices and comments are authored to explain the workflow, rather than findings from a product run. Simulated visitors support design inquiry; they do not replace feedback from real people.